Frankenstein – the role of Safie in the novel

Written in 1816, when the writer M.Shelley was just nineteen her story Frankenstein, a Sui Generis dramatized the potential of life begotten upon a laboratory table. M.Shelley merges many forms of writing- the memoir, the journal, the letter novel, the dishonest to produce themes as romantic novel making, the gothic project, contemprory history and politics and the colloquy of gender.In the novel, one as well as witnesses ii families working on opposite perplex of ideologies. On the one hand, where Frankensteins family represents vision convening of political inequality and injustice, the De Lacey family represents vision of a social group based on justice, equality and mutual affection. The structure of De laceys family constitutes M.Shelleys precedent, an ideal derived from her set outs A Vindication of the Rights of Woman. Infact, it is the extension of Safie, the beloved of Felix De Lacey which best exemplifies to it which shall be discussed in the following paragraphs .Safie, the daughter of the Turkish merchandiser is appalled by her fathers betrayal of Felix and by the Islamic oppression of women he endorses. Therefore, she decides to relief valve from the clutches of her father and flees from bomb to Switzerland, seek Felix. This incidence gives a sense of M.shelleys kitty-corner reference of looking at Turkey within the dimensions of the east. Moreover, when the readers are offset printing introduced to Safie ,the description of her as a dame dressed in a inexorable suit covered with a mystifying black veil makes one mindful of a culture very contrasting from the west. It is for this that amateur Kornisaruk goes to the extent of rallying Safie as being oriental. Hence, echoing Edward Saids possibleness of the orientalism as straightaway one witnesss wind of Safie as the Other.M.shelley at the uniform time is quick to shift her bearing of Turkey-the east, established in readers mind as a govern which culturally occupies a lowe r property in hierarchy. This is because she now portrays the product of east-Safie in a dictatorial light. This is evidenced by frequent parallels of Safie with eve of Paradise Lost who is chaste,pure. Also, the writer consciously decides to choose the name Safie meaning knowledge which is symbolic in itself. Safies desire to inaugurate herself with the language which becomes a mean to spread the cultural barrier justifies to her attribute of light. It alike reveals her as a person who is kinsfolk conscience as she wishes to be incorporate within the upper strata of the society.Moreover, Safie emerges as the solitary(prenominal) independent well educated, self supported, wisdom imbibed woman in the novel. By doing so, the author not only questions the position of women in the nineteenth century but also brings into focus her rejection of east as a supposedly hierarchically inferior place as discussed earlier. It is because of her alternative role instance identity that well renouned critic Rubinstein decides to call her subtly androgynous combining the regulation feminine angelic beauty with a masculine energy.Yet, the author decides the disappearance of Safie and De Laceys family well-favoured them little involvement in the plot. Thus, establishing that such characters had no or little place in the harsh world of 19th century Europe experienced by M.Shelley. Therefore, justifying the novel as a pictorial fiction. Finally, one can conclude, it is from her own mother that Safie learns to aspire to higher powers of intellect and an independency of spirit.So, flouting her fathers tyrannical mandate against marrying Felix.Indeed, its for this that critic A.K. Mellor notes Safie as the incarnation of M.Wollstonecraft in the novel.